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Brian Eno: 66 Albums (1973 - 2020) [FLAC] [DarkAngie]

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Brian Eno: 66 Albums (1973 - 2020)




Biography:
Ambient pioneer, glam rocker, hit
producer, multimedia artist, technological innovator, worldbeat proponent, and self-described non-musician -- over the
course of his long, prolific, and immensely influential career, Brian Eno has been all of these things and much, much
more. Determining his creative pathways with the aid of a deck of instructional, tarot-like cards called Oblique
Strategies, Eno champions theory over practice, serendipity over forethought, and texture over craft; in the process, he
forever altered the ways in which music is approached, composed, performed, and perceived, and everything from punk to
techno to new age bears his unmistakable influence. Initially known for playing keyboards and tape recorders in Roxy
Music, he left in 1973 and began releasing atmospheric instrumental albums with King Crimson guitarist Robert Fripp, as
well as art rock solo albums such as Here Come the Warm Jets (1974) and Another Green World (1975). Released in 1978,
the groundbreaking Ambient 1: Music for Airports gave a name to the genre that he would be most closely associated with,
although Eno would sporadically return to vocal-based songwriting throughout his career, as on 2005's Another Day on
Earth. He also became a highly successful producer for rock and pop acts such as U2, Coldplay, David Bowie, and Talking
Heads. Additionally, he released albums in collaboration with Harold Budd, Cluster, John Cale, his brother Roger Eno,
and many more. Brian Peter George Eno was born in Woodbridge, England, on May 15, 1948. Raised in rural Suffolk, an area
neighboring a U.S. Air Force base, as a child he grew enamored of the "Martian music" of doo wop and early rock & roll
broadcast on American Armed Forces radio. A subsequent tenure at art school introduced him to the work of contemporary
composers John Tilbury and Cornelius Cardew, as well as minimalists John Cage, LaMonte Young, and Terry Riley.
Instructed in the principles of conceptual painting and sound sculpture, Eno began experimenting with tape recorders,
which he dubbed his first musical instrument, finding great inspiration in Steve Reich's tape orchestration "It's Gonna
Rain." After joining the avant-garde performance art troupe Merchant Taylor's Simultaneous Cabinet, as well as assuming
vocal and "signals generator" duties with the improvisational rock unit Maxwell Demon, Eno joined Cardew's Scratch
Orchestra in 1969, later enlisting as a clarinetist with the Portsmouth Sinfonia. In 1971, he rose to prominence as a
member of the seminal glam band Roxy Music, playing the synthesizer and electronically treating the group's sound. A
flamboyant enigma decked out in garish makeup, pastel feather boas, and velvet corsets, his presence threatened the
focal dominance of frontman Bryan Ferry, and relations between the two men became strained; finally, after just two LPs
-- 1972's self-titled debut and 1973's brilliant For Your Pleasure -- Eno exited Roxy's ranks to embark on a series of
ambitious side projects. The first, 1973's No Pussyfooting, was recorded with Robert Fripp. For the sessions, Eno began
developing a tape-delay system, dubbed "Frippertronics," which treated Fripp's guitar with looped delays in order to
ultimately employ studio technology as a means of musical composition, thereby setting the stage for the later dominance
of sampling in hip-hop and electronica. Eno soon turned to his first solo project, the frenzied and wildly experimental
Here Come the Warm Jets, which reached the U.K. Top 30. During a brief tenure fronting the Winkies, he mounted a series
of British live performances despite ill health; less than a week into the tour, Eno's lung collapsed, and he spent the
early part of 1974 hospitalized. Upon recovering, he traveled to San Francisco, where he stumbled upon a set of
postcards depicting a Chinese revolutionary opera that inspired 1974's Taking Tiger Mountain (By Strategy), another
sprawling, free-form collection of abstract pop. A 1975 car accident that left Eno bedridden for several months resulted
in perhaps his most significant innovation, the creation of ambient music: unable to move to turn up his stereo to hear
above the din of a rainstorm, he realized that music could assume the same properties as light or color, and blend
thoroughly into its given atmosphere without upsetting the environmental balance. Heralded by the release of 1975's
minimalist Another Green World, Eno plunged completely into generative composition with his next instrumental effort,
Discreet Music, the first chapter in a ten-volume series of experimental works issued on his own Obscure label. After
returning to pop structures for 1977's Before and After Science, Eno continued his ambient experimentation with Music
for Films, a collection of fragmentary pieces created as soundtracks for imaginary motion pictures. Concurrently, he
became a much sought-after collaborator and producer, teaming with the German group Cluster as well as David Bowie, with
whom he worked on the landmark trilogy Low, Heroes, and Lodger. Additionally, Eno produced the seminal no wave
compilation No New York and in 1978 began a long, fruitful union with Talking Heads, his involvement expanding over the
course of the albums More Songs About Buildings and Food and 1979's Fear of Music to the point that by the time of
1980's world music-inspired Remain in Light, Eno and frontman David Byrne shared co-writing credits on all but one
track. Friction with Byrne's bandmates hastened Eno's departure from the group's sphere, but in 1981 he and Byrne
reunited for My Life in the Bush of Ghosts, a landmark effort that fused electronic music with a pioneering use of Third
World percussion. In the interim, Eno continued to perfect the concept of ambient sound with 1978's Music for Airports,
a record designed to calm air passengers against fears of flying and the threat of crashes. In 1980, he embarked on
collaborations with minimalist composer Harold Budd (The Plateaux of Mirror) and avant trumpeter Jon Hassell (Possible
Musics), as well as Acadian producer Daniel Lanois, with whom Eno would emerge as one of the most commercially
successful production teams of the '80s, helming a series of records for the Irish band U2 (most notably The Joshua Tree
and Achtung Baby) that positioned the group as one of the world's most respected and popular acts. Amidst this flurry of
activity, Eno remained dedicated to his solo work, moving from the earthbound ambience of 1982's On Land to other worlds
for 1983's Apollo: Atmospheres & Soundtracks, a collection of space-themed work created in tandem with Lanois and Eno's
brother Roger. In 1985, Eno resurfaced with Thursday Afternoon, the soundtrack to a VHS cassette of "video paintings" by
artist Christine Alicino. After Eno produced John Cale's 1989 solo effort Words for the Dying, the duo collaborated on
1990's Wrong Way Up, the first record in many years to feature Eno's vocals. Two years later, he returned with the solo
projects The Shutov Assembly and Nerve Net, followed in 1993 by Neroli; Glitterbug, a 1994 soundtrack to a posthumously
released film by Derek Jarman, was subsequently reworked by Jah Wobble and issued in 1995 as Spinner. In addition to his
musical endeavors, Eno also frequently ventured into other realms of media, beginning in 1980 with the vertical-format
video Mistaken Memories of Medieval Manhattan. Along with designing a 1989 art installation to help inaugurate a Shinto
shrine in Japan and 1995's Self-Storage, a multimedia work created with Laurie Anderson, he also published a diary,
1996's A Year with Swollen Appendices, and formulated Generative Music I, a series of audio screen savers for home
computer software. In August 1999, Sonora Portraits, a collection of Eno's previous ambient tracks and a 93-page
companion booklet, was published. Around 1998, Eno was working heavily in the world of art installations, and a series
of his installation soundtracks started to appear, most in extremely limited editions (making them instant collector's
items). In 2000, he teamed with German DJ Jan Peter Schwalm for the Japanese-only release Music for Onmyo-Ji. The duo's
work got worldwide distribution the next year with Drawn from Life, an album that kicked off Eno's relationship with the
Astralwerks label. The Equatorial Stars, released in 2004, was Eno's first work with Robert Fripp since Evening Star,
the 1975 follow-up to No Pussyfooting. His first solo vocal album in 15 years, Another Day on Earth, was issued in 2005,
followed by 2008's Everything That Happens Will Happen Today, another collaboration with David Byrne. In 2010, Eno
signed to the Warp label, where he released Small Craft on a Milk Sea, a collaboration with Leo Abrahams and Jon
Hopkins. The following year's Drums Between the Bells featured poet Rick Holland, as well as several vocalists. Eno
returned to his ambient style of recording with Lux in late 2012. His next project was a collaboration with Underworld's
Karl Hyde. Bonding over a shared love of Afro-beat, the pair worked on intros that Eno had lying around but had never
been able to complete, resulting in a surprising collection of unusual pop songs. The finished album, titled Someday
World, was issued in May 2014, followed by the pair's second album, High Life, a scant two months later. Eno went back
to working solo for 2016's The Ship. Released in April of that year, it comprised two long tracks totaling 47 minutes.
The second, a three-part suite, concluded with a cover of the Velvet Underground's "I'm Set Free." Later that year, he
announced another ambient album, Reflection. Described as a "provocative space for thinking," it consisted of a single
nearly hour-long track and was released on New Year's Day 2017. During the year, Eno collaborated with pianist Tom
Rogerson (of Three Trapped Tigers), resulting in an album titled Finding Shore. Dead Oceans issued the album in December
2017. The following year, Eno and My Bloody Valentine's Kevin Shields issued a collaborative single for Record Store
Day, "The Weight of History" b/w "Only Once Away My Son." Also in 2018, Eno released Music for Installations, a box set
compiling rare and previously unissued pieces commissioned for galleries and audiovisual installations. To coincide with
the 50th anniversary of the moon landing, Eno issued a remastered edition of Apollo: Atmospheres & Soundtracks in 2019,
including an additional album's worth of compositions, marking the first time Eno worked with Lanois and Roger Eno since
the original album's recording. 2020's Mixing Colours and Luminous EP saw Eno continuing to work with his brother Roger.
Film Music 1976-2020, which included pieces used in films like Heat, Dune, and Trainspotting, appeared later in the
year.





Album List:
(1973) Brian
Eno & Fripp - (No Pussyfooting)
(1974) Brian Eno - Here Come The Warm Jets
(1974) Brian Eno - Taking Tiger
Mountain (By Strategy)
(1974) Brian Eno, Kevin Ayers, John Cale, & Nico - June 1, 1974
(1974) Lady June &
Brian Eno - Lady June's Linguistic Leprosy
(1975) Brian Eno - Another Green World
(1975) Brian Eno - Discreet
Music
(1975) Brian Eno & Fripp - Evening Star
(1977) Brian Eno - Before And After Science
(1977) Cluster
& Eno - Cluster & Eno
(1978) Brian Eno - Ambient 1: Music for Airports
(1978) Brian Eno - Music For Films
(1978) Brian Eno & Cluster - After The Heat
(1980) Brian Eno & Harold Budd - Ambient 2: The Plateaux of Mirror
(1980) Brian Eno & Jon Hassell - Fourth World, Vol. 1: Possible Musics
(1980) Brian Eno & Laraaji - Ambient 3:
Day of Radiance
(1981) Brian Eno & David Byrne - My Life in the Bush of Ghosts
(1982) Brian Eno - Ambient 4:
On Land
(1983) Brian Eno - Apollo Atmospheres and Soundtracks
(1984) Brian Eno & Harold Budd - The Pearl
(1984) Brian Eno, Mœbius, Roedelius & Plank - Begegnungen
(1985) Brian Eno - Thursday Afternoon
(1985)
Brian Eno with Michael Brook & Daniel Lanois - Hybrid
(1985) Brian Eno, Mœbius, Roedelius & Plank - Begegnungen
II
(1988) Brian Eno & Others - Music For Films III
(1989) Brian Eno - Textures
(1990) Brian Eno & John
Cale - Wrong Way Up
(1992) Brian Eno - Nerve Net
(1992) Brian Eno - The Shutov Assembly
(1993) Brian Eno
- Eno Box II Vocal (3 Discs)
(1993) Brian Eno - Neroli
(1994) Brian Eno - Eno Box I: Instrumental (3 Discs)
(1994) Brian Eno & James - Wah Wah
(1994) Brian Eno & Robert Fripp - The Essential Fripp and Eno
(1995)
Brian Eno & Jah Wobble - Spinner
(1995) Brian Eno & U2 (Passengers) - Original Soundtracks 1
(1997) Brian Eno
- Music For White Cube
(1997) Brian Eno - The Drop
(1997) Brian Eno & Harmonia - Tracks And Traces (2009
reissue)
(1999) Brian Eno - I Dormienti
(1999) Brian Eno - Kite Stories
(2000) Brian Eno - Music For
Civic Recovery Centre
(2000) Brian Eno & J. Peter Schwalm - Music for Onmyo-Ji
(2001) Brian Eno - Compact
Forest Proposal
(2001) Brian Eno & J. Peter Schwalm - Drawn from Life
(2002) Brian Eno - The Long Now
(2003) Brian Eno - January 07003-Bell Studies for the Clock of the Long Now
(2004) Brian Eno - Curiosities Volume
II
(2004) Brian Eno & Fripp - The Equatorial Stars
(2005) Brian Eno - Another Day On Earth
(2005) Brian
Eno - More Music For Films
(2008) Brian Eno & David Byrne - Everything That Happens Will Happen Today
(2008)
Brian Eno & Fripp - Beyond Even (1992 - 2006) (2 Discs)
(2010) Brian Eno - Making Space
(2010) Brian Eno with
Jon Hopkins & Leo Abrahams - Small Craft On A Milk Sea
(2011) Brian Eno & Rick Holland - Drums Between the Bells
(2011) Brian Eno & Rick Holland - Panic of Looking
(2012) Brian Eno - Lux
(2014) Brian Eno & Karl Hyde -
Someday World
(2014) Brian Eno & Karl Hyde - High Life
(2016) Brian Eno - The Ship
(2017) Brian Eno -
Reflection
(2017) Brian Eno & Tom Rogerson - Finding Shore
(2018) Brian Eno - Music For Installations
(2020) Brian Eno - Film Music 1976-2020
(2020) Brian Eno & Roger Eno - Mixing Colours (Expanded)


Media Report:
Genre: Rock, ambient, electronic, experimental
Country: UK
Format: FLAC
Format/Info:
Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1
KHz
Bit depth: 16 bits


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